All posts by Marcus A. Gadson

Time for Arrow to End

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It’s time for Arrow to end after this season. It bring me no pleasure to say that given how much I’ve enjoyed the show over the years. But Oliver’s storyline is over, and without him, the show can’t realistically continue.

He started as a former playboy turned violent vigilante killing people to save his city. For almost two seasons, he was a mayor before getting impeached. He ended season six as…a violent vigilante killing people to save his city before turning himself in. He had come full circle. So, I don’t see how his storyline can advance. He can’t go back to politics. Staying in prison for several seasons would make for a boring show. And it’s hard to see how he could do anything new as a vigilante after confronting Damien Darkh, Malcolm Merlyn, or the League of Assassins. His storyline is exhausted.

That’s not to say that season 7 couldn’t be good. We could see what becomes of Starling city and Team Arrow in Oliver’s absence. Maybe the FBI and a new city government can get things under control. Or maybe the city descends into chaos. Either outcome would help answer the show’s long-running question of whether vigilantism is justified. If the city goes down in flames, the Green Arrow will have turned out to be necessary.

And we could see how Oliver copes with prison. Does he grapple with the fact that he’s lied and murdered? Or does he stay defiant and insist that he did what he had to to save his city? Season 7 can be the season where we see Oliver finally reckon with what all of his years on Lian Yu, working for the Bratva, and being the Arrow have cost him.

And after that, as much as I love it, it’s time for Arrow to end.

Bring Lawrence Back

 

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Word on the street is that Lawrence isn’t coming back to Insecure. I really hope he does.

When the show began, I didn’t think I would care about his story arc. He appeared to stay at home all day while Issa went out and earned money to support them both. Maybe he was working on the computer app he pitched in season two (without success), but mostly I think, he sat on the couch and watched T.V. He was technically in a relationship with Issa, but it had no spark. In fact, things were so bad that when he said Issa’s friend Molly’s standards for a romantic partner were too high, Issa sarcastically retorted something along the lines of “maybe she should lower her standards like I lowered mine.” It was hard to fault her. I understood why she thought about dating Daniel.

But then Lawrence grew up. He got a job at Best Buy and then another one at a tech company. I always thought he was motivated by a sense of shame about not being the man Issa needed and a desire to become that man. As Lawrence began contributing to their household again, his relationship with Issa improved. Unfortunately, Issa had sex with Daniel, whom she had started to think of in romantic terms when her relationship with Lawrence was at rock bottom. She felt guilty and confessed at the end of season one, leading Lawrence to break up with her.

In season two, Lawrence and Issa uneasily shadowed each other. They went from sleeping together in the first episode to fighting each other at a birthday party. Finally, they had a heart-to-heart at the end. Issa apologized for cheating on him; Lawrence acknowledged that for a long time, he had been a bad partner. At one point, there was a touching scene when Issa imagined Lawrence asking her to marry him and them having a long and happy marriage. Of course, that was not to be. He forgave her, but it felt like the door was closed on their relationship.

So why bring him back when their relationship won’t continue? The first two seasons made me care how his journey ends. One question I have is whether he can find love. So far, the show has explored how the characters’ hang ups prevent them from finding the love they desire. Molly has a narrow view of what can make a good partner, and when she finds someone who’s eligible in her mind, she clings to him so hard that she scares him off.

For Lawrence, I wonder whether he’ll be able to trust another woman enough to love her. His relationship with Aparna (from work) looked promising. And he’s matured a great deal. It took honest reflection and wisdom for him to realize the role he played in Issa’s poor choices. True, she made the choice to cheat and that’s on her. But he understood that the temptation was there because he wasn’t a loving and supportive partner for so long.

For his relationship with Aparna to succeed, he’ll have to open his heart to her. That means being willing to assume the best in her and believe she’s fully committed to him. He has work to do in that regard. He got jealous when she laughed at some of her ex’s jokes. I have to think he was on high alert for any evidence of cheating after what happened with Issa. But no relationship can succeed if there is not mutual trust. Somehow, Lawrence will have to regain the ability to trust. I would love it if he does.

At the end of the day, I want the same thing for Lawrence I do for Issa and Molly: to find love. So come on Insecure. Bring him back.

How Much Liberty Would You Trade For Security?

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After 9/11, the country was drawn into a familiar debate. With a war on terrorism ramping up, we had to ask how much authority we would give the government to protect us. How much personal information would we be willing to share? How much safer would a security measure have to make us to justify diminishing our privacy? I’m not sure we fully answered those questions, or that they’re fully answerable.

But Person of Interest gave us another chance to think about them. The idea is that a reclusive billionaire (Harold Finch) has developed a machine that can predict crimes in New York City before they happen. He and his partner (John Reese) work together to save the person in danger. To make its predictions, the machine must rely on surveillance footage from around the city. In other words, someone is always listening to your calls or reading your emails.

In the first two seasons, this seems like a good thing. Finch and Reese stop several murders before they happen. But what if the machine is not in good hands? In season 3, another artificial intelligence named Samaritan comes online at the behest of John Greer, someone who thinks he has humanity’s best interests at heart. He survived the German destruction of London during World War II and is convinced that humanity cannot peaceably govern itself. The problem is that Samaritan’s willing to do anything. It’ll hack elections–in one episode, it rigged vote totals in New York so that its preferred candidate could win the governorship. And it’s willing to kill.

Would we rather live in a world with such an artificial intelligence? It can stop all crime and stop wars if we allow it to monitor us nonstop and run our lives for us. That is, if we give up our liberty, it can give us security. This might seem more palatable when it’s Finch’s machine because Finch is a good man. He programmed it with the best of intentions. But it is easy to see any number of governmental officials justifying their encroachments on our freedom and privacy that way. They would tell themselves that the tools they create are meant to keep us safe, and that they would never abuse them. And they probably mean it a lot of the time.

But once a technology is created, bad people as well as good can use it. Once the machine was created, someone would inevitably use the knowledge gained to build Samaritan. As we continue to contemplate how to deploy new tools to protect us from crime and terrorism, Person of Interest reminds us to ask “what if someone who isn’t so noble gets their hands on this?”

Molly and Issa Already Found Love

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When most of us talk about love, we mean romantic love. Issa Rae’s Insecure reminds us that that term applies just as much to our other relationships. At the center of the show are Issa and Molly, two awkward black girls trying to make their way in LA. The two spend much of their time trying to find satisfactory romantic relationships.

Issa starts season one with her boyfriend Lawrence. Unfortunately, Lawrence isn’t motivated to do anything. He’s been unemployed for four years and has refused to look for other jobs. He doesn’t appear to contribute to their relationship. When the tension boils over and they break up, Issa becomes involved with Daniel, an old flame. Lawrence eventually gets his act together, takes on one job, and then gets a job he’s passionate about. Their relationship improves. But the truth ultimately comes out. Just when their relationship is stronger than ever, Lawrence meets Daniel at a party and asks Issa how she knows him. Issa confesses she had an affair. This time, Lawrence breaks things off. At the end of season two, they had a heart to heart about their relationship, and while they both reached a place of understanding, I doubt they will get back together.

While Issa drifts out of a relationship, Molly fights to get in one. But one of two things always happens. Either she comes across as too clingy and drives the guy away or she writes a guy off who doesn’t meet her checklist of requirements. In the end, the best relationship she’s found is arguably with a man in an open marriage–a far cry from where she wants to be relationship-wise. Unless the show surprises us in season three, neither Issa nor Molly looks destined to find the romance she desires.

For me, one of the highlights is when Molly learns that her dad cheated on her mom. Her whole life, she has seen their marriage as the pinnacle of happiness. Here parents always support each other. They have a great rapport. They can finish each other’s sentences. They have history. And they both light up in each other’s presence. To Molly’s mind, this sort of connection is only possible in marriage.

Yet, that is what she has with Issa. The two always support each other, no matter what. When Issa is trying to raise money for her job at “We Got Ya’ll,” Molly contributes and attends a fundraiser. When Issa wrecks her car, Molly is the one to drive her around. They’re able to speak the truth to each other, even when it hurts, and have their friendship remain in tact. Issa tells Molly that all of her failed relationships have the same common denominator: Molly. Molly hates hearing that, of course, but eventually takes Issa’s suggestion to try therapy. They have fights where they scream horrible things at each other, but you never doubt they’ll make up afterwards.

At the end of the day, you always know they’ll be there for each other. You know they’ll sacrifice for each other and be vulnerable with each other. And they (usually) really like each other. That sounds like love to me. So, no matter what happens with their romantic endeavors, it isn’t right to say they’re looking for love. In each other, they already found it.

Friday Night Lights Was What Roseanne Could Have Been

 

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Rosanne is off the air for good after her racist tweet. Some are mourning the show’s loss because it portrayed a working class, Trump-supporting family sympathetically. The thinking has been that Hollywood and national media organizations are too quick to assume Trump voters are automatically racist and sexist. For their part, Trump voters felt misunderstood and enjoyed having a show that finally showed respect for their experience. Commentators who miss it want another show to showcase a family like Roseanne’s. But Friday Night Lights long ago accomplished what Rosanne could have.

Friday Night Lights centered around a High School football team in Dillon, Texas. One of the things I enjoyed about the show was how it used football as a vehicle to explore many serious issues still affecting our country.

It dealt with racism. Smash Williams (a black player) was the team’s running back, and he faced racism throughout season one. To make matters worse, it even came from his assistant coach Mac McGill, who should’ve had his back. In one episode, McGill observed that black players are like junkyard dogs and intellectually unfit to play quarterback. Unsurprisingly, Smash and the other black players were furious. It got to the point where they seriously contemplated sitting their next game. This episode was already interesting in that, far from portraying Dillon as an idyllic place, it laid bare simmering racial tensions between blacks and whites.

Where it got even better was that it allowed McGill to be more than an old white racist. At the next game, Smash got tackled after scoring a touchdown, and the ensuing altercation led officials to cancel the game. As the team rode home, the police stopped the team and came aboard to arrest Smash, claiming evidence that he threw the first punch. Of all people, McGill stood up, and told the police he wasn’t letting them on the bus without a warrant. And then in my favorite moment from the episode, said they made mistaken assumptions about Smash, “just like I did.” Maybe, McGill was just trying to ingratiate himself with his black players. But I like to think he genuinely grew. He was able to recognize his own racism and do better. In its own way, the incident shows us how to finally eradicate racism as a country. People like Mac McGill need to have the courage to see themselves as they really are and the confidence that they can be better.

Racial issues, of course, have been a central topic of discussion during the Trump administration. Think of the controversies over NFL players kneeling during the National Anthem, the President’s remarks after Charlottesville, or the immigration executive orders. In today’s climate, with its ongoing race conversation, we don’t really have a show like Friday Night Lights that shows racism in all of its ugliness, and yet manages to preach a message of racial optimism without being preachy.

I enjoyed how the show handled gender and career issues. One of the show’s highlights was Coach Taylor and his wife Tami’s awesome marriage. Throughout the series they confronted, the familiar question of how partners can ensure that a woman’s career doesn’t take a backseat. The couple repeatedly prioritized Coach’s career at first. But then Tami became a principal and was eventually offered a job as director of admissions at a private college. As we were asking whether Coach would follow her and put her career first for a change, it became clear that Tami had some resentment about how the couple had prioritized their careers. She told him that she had been a coach’s wife for so many years and wanted her career to take priority for once. He did.

This is still a fraught topic. Women who are ambitious in their careers frequently have to worry about coming across as unlikable. Others worry that their desire for fulfilling careers will turn off potential partners. Tami Taylor gave us an example of a woman in the heartland willing to question the often unstated assumption that her career was not worthy of the same consideration as her husband’s, and just as importantly, of a man who ultimately joined her.

I raise all this to illustrate that we can have a show that portrays “Middle America” respectfully and realistically. One that shows how far we have as a country to go on critical issues, and one which makes clear the goodness of people who live in places that feel alienated from Hollywood. And, it turns out we never needed someone who writes racist tweets to give it to us. Friday Night Lights has been there all along.

Things I Only Realized About Robin Hood As An Adult

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Robin Hood was one of my favorite movies growing up. While on a flight recently, I saw it again. Looking back, so much went right over my head when I was younger. In no particular order, here are things I only realized about Robin Hood as an adult.

1. Prince John needed better henchmen

Usurping a throne is hard. That is Prince John’s goal when he gets Richard the Lionheart to go on the crusade. To accomplish it, he needed henchmen of the highest caliber. He didn’t get them.

Some are fake. After Robin Hood escapes a trap Prince John set at an archery tournament, bemused subjects begin singing the “Phony King of England.” You’d expect Prince John’s men to punish them. Instead, when Hiss and the Sheriff think he’s out of earshot, they start singing the lyrics themselves! Perhaps Prince John should have done a better job hiring loyal underlings, which probably isn’t easy when you’re doing such a disloyal thing.

The others are incompetent. None of his guards can shoot well, apparently. They miss point blank shots you’d think any beginning archer can make. Prince John’s efforts were doomed the moment he completed his hiring.

2. It’s an open question whether Robin Hood is a Republican or Democrat

It would be interesting to hear Robin Hood’s thoughts about our politics. A few clues are scattered throughout. When Prince John increased taxes to punish subjects for the humiliation he suffered after failing to capture Robin Hood, Robin snuck into the castle and took them back. Friar Tuck had a priceless line: “praise the Lord, pass the tax rebate.” Surely, Republicans would love a guy who literally risked his life to cut taxes.

But remember that Robin Hood spends his time stealing from the rich to give to the poor. Would a man whose life’s mission is to redistribute wealth really be at home in the Republican Party? Or would he be out protesting with Occupy Wall Street?

3. Prince John could have done so much good

Prince John is constantly scheming and plotting how to take power and keep it. And I have to give it to him, some of his ideas were clever. Sponsoring an archery tournament was a good way to get Robin Hood to show himself. Prince John definitely could have gotten him if only his henchmen had been better.

But I was left with a sense of tragedy. What if Prince John had applied his talent for strategy and planning to better ends? Maybe he could have built a university or libraries throughout the realm. He could’ve been so much more than a Disney villain.

West Wing Can Heal Our Divides

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We live in polarized times. Not only do we disagree with people who hold different political views, many of us also question their decency and intelligence. Today I want to suggest at least a partial solution to our troubled politics. We should all watch season two of the West Wing.

For those who haven’t seen it, West Wing focuses on Democratic President Jed Bartlett’s administration. While the show is almost twenty years old, the administration confronts familiar issues such as immigration, capital punishment, guns, and Supreme Court appointments. What really stands out about the show is its ability to be idealistic about politics while still coming across as plausible. All with some of the wittiest dialogue I’ve ever heard.

Early on in season two, conservative Ainsley Hayes crushes White House speechwriter Sam Seaborn in a debate on the show Capital Beat. The White House then does something unimaginable in today’s political climate: it hires her. What’s more, President Bartlett’s core team comes to value and respect her. When she is being harassed by two junior staffers who send her a vase of dead flowers, Sam fires them on the spot.

Aaron Sorkin is a well-known liberal. So he could easily have caricatured Hayes and her ideological views. She could have been a stereotypical southern conservative offered for comedic relief, or as a contrast to show how much wiser and smarter staffers like Seaborn were. But to his credit, Sorkin didn’t do that. Instead, he sought to really understand how a character like Hayes would think like she does and allow her to ably defend her ideology. He wrote her to be just as smart, insightful, and witty as anyone else. He even wrote a scene where she called Seaborn on his cultural elitism in a debate over gun control when she observed that at his core, he didn’t like people who liked guns. In that scene, she also called him on a blind spot where she noted that he talked a good game about the bill of rights, but didn’t really want to protect the second amendment.

Hayes also grows to appreciate the Bartlett administration. When meeting some conservative friends, one asks her “did you meet anyone who wasn’t worthless [while working at the White House]?” In an eloquent monologue she says that while they could question the White House’s policies, “their intent is good, their commitment is true, they are righteous; and they are patriots.” She ends by saying emphatically, “I am their lawyer.” Hayes understood a truth I wish more of us grasped—that people can disagree with us on issues we feel passionately about, and still be good people.

For issues important to us, some of us wonder how another person could possibly disagree. Actually, asking that question is key to understanding our ideological opponents. Instead of assuming that someone has a different view because she’s stupid or mean, we would do better to ask “how could a decent and thoughtful person see this issue so differently than I do?” We might go on to ask “even if I still hold my original position at the end of the day, what does my friend of the opposite political persuasion have to teach me? What blind spots might she be showing me? What assumptions am I making that she’s pointing out?” To ask these questions requires humility and self-awareness. To answer them requires open-mindedness and wisdom.

Those are the virtues which will help heal our divides and break the hold of poisonous tribalism. Daily, we see politics at its worst. One of the reasons I miss the West Wing was because it gave us a glimpse of what politics could be at its best.

Taraji’s The Best

Taraji Henson might just be the best actress this generation. The past few weeks clarified this for me. I watched her pull off three very different roles: Detective Carter on Person of Interest, Cookie Lyon on Empire, and Melinda Gayle on Acrimony.

Person of Interest ended a couple of years ago, and was a great show. It follows a billionaire and former CIA operative as they use a complex computer network to stop murders before they happen. Taraji plays a cop who initially opposes them, but then comes to work with them. She is an earnest woman who wants to follow the law to a T and struggles with bending the rules to help even a noble cause. She was so good that when she died in season 3, I almost stopped watching the show.

A woman dedicated to law and order? That would surprise those of you who watched her as Cookie Lyon or Melinda Gayle. On Empire, the Lyons aren’t above threatening, blackmailing, or killing to get ahead. She threatens her own husband that she’ll ruin an IPO by telling the SEC that drug money was used to start Empire (in fairness her husband Lucius probably deserved it). And in Acrimony, Gayle eventually tries to murder her ex-husband and his new wife. Somehow, she does a convincing job of making you think she’s a victim, as I noted in my review.

In my book, the mark of a good actor is the ability to convincingly play very different roles, and to portray complicated, nuanced characters that we can both relate to and critique. Taraji can be ruthless, rachet, cunning, wise, deceitful, stupid, brilliant, empathetic, and earnest. Sometimes she manages to do all those things with just one character as she repeatedly does on Empire.

She hasn’t always had the best scripts or writing to work with. But whatever she’s in, she invariably makes better.

Don’t Listen to the Haters–Acrimony Was Good

Acrimony is out to some less than stellar reviews. I disagree. It has deep, complex characters and phenomenal acting. The plot is a bit of a letdown, but the overall product was solid. [spoilers included].

The movie is initially told from Melinda Gayle’s (Taraji Henson) perspective. She is an aggrieved wife who has been cheated and abused by her husband. A charming man (Robert Gayle) waltzes into her life and supports her emotionally after losing her mom. The two get romantically involved and Melinda supports Robert by using her life insurance proceeds to pay for a new car and his last year in college. How does Robert repay her? By cheating. After he swears up-and-down that he’ll never cheat again, she takes him back and they marry.

A nasty surprise awaits. Robert robbed a bank as a teenager and is a convicted felon. This leads to him losing out on the job offers Melinda counted on to make their lives easier. Melinda presses on working two jobs while Robert tinkers with a rechargeable battery that no one else has showed interest in; he never brings in a steady paycheck. Melinda depletes her life insurance fund buying him research supplies. The two end up in debt and have to take out a mortgage on her mom’s house to stay afloat. Things would be so much better if Robert would stop wasting time on his stupid battery and get a real job. Melinda’s frustration was palpable. Amidst the ladies registering their disapproval in the theater, I myself was prepared to hate Robert. What a selfish guy, I told myself. What sort of man would sit idly by while his wife does all the work? Part of me cheered when she found he had the wallet of the same woman he cheated with (Diana) in his truck from the beginning of the movie and finally decided to leave him.

Then the battery sells for hundreds of millions of dollars. Robert tells Melinda he loves her, buys the house back (which they had lost), and gives her $10 million. This is where Melinda and Robert cease to be straightforward heroes and villains. Melinda visits Robert at his apartment and tells him she still loves him and suggests they could be together. Now, I thought Melinda was super fake. She comes trying to convince Robert to take her back after she divorced him, not because she had some epiphany about him, but because he was rich. Robert is engaged at this point to Diana. Seized with rage, Melinda harasses and ultimately tries to kill them.

But, while I hated Melinda’s actions, I couldn’t hate her. I could still understand why she was so angry. She had spent years selflessly providing for Robert, and now another woman was going to swoop in and enjoy the luxurious life Melinda’s sacrifices made possible. In some ways, she was incredibly unlucky. If she had just stayed with Robert another few weeks, she would have been on her way to becoming a billionaire. She and Robert could have thrived in their marriage without the financial pressures crushing them.

And it turned out Robert was a better man than I initially thought. Legally, he did not have to give Melinda $10 million or buy her house back. He had a moral obligation to do so and he did. It’s easy to envision another man with that fortune simply cutting off his first wife. When he vowed never to cheat again, I was skeptical, but he kept his word. And he kept his promises from the beginning of the movie to share his wealth with Melinda.

I thought both Melinda and Robert were well-acted. I found myself liking Robert by the end of the movie despite his shady beginning, and I found myself questioning how I felt about Melinda despite the justness of her rage at the beginning. Taraji and Lyriq Bent did a good job playing fascinating characters I wanted to talk about after the movie ended.

Now to the negative. Certain plot elements were so outlandish that they became hard to believe. Robert worked on his battery for 18 years and only pitched it to one company. Really? Was there only one company in the entire world that would be interested in a self-charging battery? I found it hard to accept that an inventor would really pursue such a limited strategy after working so hard on the battery. That in turn made the financial struggles Robert and Melinda faced seem artificial.

Still, I think the movie allowed viewers to wrestle with very real questions presented by quality acting. At what point should an individual give up on dreams of riches or fame? What duties would we owe loved ones who have supported us if we ever struck it big? Should we still have sympathy for Robert and/or Melinda at the end?

So I have to part company with all the negative reviewers. I found Acrimony enjoyable.

Wakanda’s Foreign Policy Conundrums Are A lot Like America’s

Wakanda’s foreign policy is a mess by the end of the movie. After spending most of it simply trying to keep prying eyes away from his kingdom, T’Challa starts an outreach center in Oakland and promises to share Wakanda’s knowledge with the rest of the world. Unintentionally (I think), the movie provides a valuable window into the competing strands of American foreign policy over its history.

Killmonger may be the movie’s villain, but in some ways he stands in for idealists who want America to promote freedom. He wants to use Wakanda’s military might to liberate blacks from their oppressors all over the world. It would be wrong, according to him, to have Wakanda sit idly by when it could instantly make things better for marginalized peoples.

He reminds me of Woodrow Wilson, in both flattering and unflattering ways. When asking Congress for a declaration of war, Wilson said the “world must be made safe for democracy.” In his 14 points further explaining America’s war aims, Wilson demanded an “absolutely impartial adjustment of all colonial claims, based upon a strict observance of the principle that in determining all such questions of sovereignty the interests of the populations concerned must have equal weight with the equitable claims of the government whose title is to be determined.”

So both men wanted to use their countries’ might to further their moral crusades. But both men had blind spots. I found it interesting that Killmonger focused on the plight of blacks around the world, but not other groups such as Asians or Latin Americans who have been victims of European colonization. In fact, he never even acknowledges that other groups have suffered. In this, his vision of liberation appears to be an exclusive one. That is, he only wants to liberate the world’s blacks, but would leave other unjust structures firmly in place.

Wilson may have wanted to make the world safe for democracy, but he refused to make his own country safe for blacks. He presided over the resegregation of federal government departments. He approvingly screened “Birth of a Nation” in the White House, which celebrated the Ku Klux Klan. At the Paris peace conference after World War one, Wilson opposed a proposed clause in the Versailles treaty stating “The equality of nations being a basic principle of the League of Nations, the High Contracting Parties agree to accord as soon as possible to all alien nationals of states, members of the League, equal and just treatment in every respect making no distinction, either in law or in fact, on account of their race or nationality.”

Interestingly, it is no answer to say Killmonger or Wilson were simply men of their times. In 2018, it strikes me that a Naval Academy graduate as motivated to fight oppression as Killmonger—and someone who had seen much of the world as a CIA operative—would be aware that colonialism and racism affected groups other than blacks. And yet, despite this knowledge, Killmonger’s vision of racial liberation is not universally inclusive.

It might be tempting to say that Woodrow Wilson held racist views as someone who grew up in the South during the 19th century, and that, although we should not excuse them, we should understand his racism in light of the time and place he grew up in. But Japan’s proposal for racial equality received majority support at the Versailles conference. So, a majority of Wilson’s contemporaries—who would have internalized racial stereotypes as leaders of countries colonizing Africa and Asia—were able to recognize that nations should not be treated differently because of race. It’s true that many Americans were racists when Wilson allowed the federal government’s resegregation or screened “Birth of a Nation.” But few had the opportunities to receive the extensive education he did or gain exposure to men like WEB Dubois, who could have easily disproven their stereotypes. The sad fact is that if any man had the chance to rise above the racism of his time, it was someone like Wilson.

Both Wilson and Killmonger were idealistic men who failed to follow their ideals to their logical conclusion.

T’Challa represents a strand of American foreign policy seeking to keep the rest of the world at a distance. It’s a tradition going all the way back to the early republic, when George Washington urged his countrymen to avoid entangling alliances with other nations. In his farewell address, Washington argued that America’s “detached and distant situation”—with an ocean separating it from European powers—would allow it to “defy material injury from external annoyance.” He defended staying out of a war raging in Europe.

America managed to stay mostly to itself during the 19th century. But the turn of the 20th saw increased American involvement in international affairs. Almost as if on cue, the American Anti-Imperialist League formed to oppose annexing the Philippines in the aftermath of the Spanish American war. Charles Lindberg, the pilot who made the first transatlantic flight, barnstormed the country arguing that America should stay out of World War two. Prominent congressmen opposed President Franklin Roosevelt’s efforts to provide arms and other aid to the British as the Germans attacked. But in general, interventionists have won over the last century. Think of American involvement in the world wars, the Marshall plan, the Korean war, Vietnam, and Afghanistan and Iraq today.

Early in the movie, T’Challa says nothing when a friend claims “[w]hen you let in refugees, they bring their problems with them.” And he opposes Killmonger’s attempts to use Wakandan military might to liberate blacks around the globe. Later, of course, he does offer to share Wakanada’s knowledge with the rest of the world.

In both cases, the hesitancy to get involved in foreign affairs reflects (in part) beliefs that America and Wakanda are exceptional. Because both countries are special, engaging with the world will only bring polluting influences. America’s isolationists would say that it is a city on a hill that should float above the rest of the world. Wakanda’s would stay the same. And in both cases, the impulse to spread their ideals to the rest of the world stems from that same belief.

At the end, Wakanda prods itself to take a difficult middle course. One where it maintains its security, but lives up to its ideals. It is a path America is still trying to navigate.